On the end of The Interval.
Reprieve reimagines three iconic female characters from theatre in a contemporary setting, connected only by the liminal space of one mysterious hotel room. Featuring Ruthie Ann Miles as Laura Wingfield from The Glass Menagerie (written by Laura Eason), Carmen Zilles as Portia from Julius Caesar (written by Tanya Saracho), and Betsy Wolfe as Emily Webb from Our Town (written by Anna Ziegler), this short film from The Interval is directed by Tony nominee Leigh Silverman.
Inspired by What the Constitution Means to Me, we asked 15 photographers from around the country to photograph teenagers in their communities ranging in age from 13 to 20. Each photographer chose their own subject and submitted work reflective of their point of view. We then asked all the teens, “What do you imagine your life will be like in fifteen years?”
Alexandra Silber writes about the impact of her mentor, Tyne Daly, and why having mentors is an important part of life and art.
Read more
On September 10th, 2016, the history-making musical “Fun Home” closes on Broadway. “Fairytale of Fun Home” celebrates the impact and importance of this glass ceiling-shattering musical by Lisa Kron and Jeanine Tesori.
Read more
Despite the dearth of women writing, directing, and designing on Broadway, there are a lot of fabulous women making theatre and changing the theatrical landscape beyond the Great White Way. Here are 16 female writers, directors, designers, and producers who the theatre community should be watching.
Read more
For Women’s Equality Day, we ask women of theatre to tell us why voting is important to them. And then we give you all the resources you need to register to vote and find out about your rights as a voter. Let’s #JazzHandsTheVote.
Read more
We talk to Shaina Taub about her process for adapting and composing Twelfth Night for Public Works of The Public Theater, and her next project, a musical about the women’s suffrage movement.
Read more
We profile seven more women who have made major contributions to the American theatre: Tisa Chang, Rachel Crothers, J.E. Franklin, Carolyn Leigh, Ellen Stewart, Megan Terry, and Nina Vance.
Read more
Choreographer Sonya Tayeh is currently creating the piece “you’ll still call me by name” for New York Live Arts. We talk to her about what inspired the piece, translating things physically, and the challenges of fundraising.
Read more
On the eve of her concerts at 54 Below, we talk to Carmen Cusack about Bright Star, answering the question, “Who is Carmen Cusack,” and her life both past and present.
Read more
On a recent Wednesday evening between preview performances of Engagements at Second Stage Uptown, we took playwright Lucy Teitler and director Kimberly Senior to The Garret in the West Village. They talk about working together and working on a comedy.
Read more
Throughout July we’ll be featuring women involved in this year’s New York Musical Festival. We visited them at rehearsal studios throughout Manhattan to find out about their shows and their thoughts on the theatre. Featuring “Remission,” “Molly Murphy & Neil deGrasse Tyson…,” “A Lasting Impression,” “Normatively,” “Eh Dah? – Questions for My Father,” ” One Child Born,” “Tink!” “Forest Boy,” and “Dust Can’t Kill Me.”
Read more
We speak to Heather Headley, in her dressing room at The Color Purple, about how she prepared to play Shug Avery, developing as an artist, coming back to Broadway, and much more.
Read more
We talk to choreographer Lorin Latarro about Waitress and God Bless You, Mr. Rosewater at Encores! Off-Center. Plus, we talk about the transition from dancer to choreographer, using art for social change, and more.
Read more
We talk to playwright Bess Wohl and director Rachel Chavkin about “Small Mouth Sounds,” which is now playing at the Signature after a successful run at Ars Nova. We sat down with them to discuss how the play was developed, their collaboration, audience engagement, and more.
Read more
Leigh Silverman is one of the most accomplished contemporary directors on Broadway. We go behind the scenes and profile what makes Leigh so good at her job.
Read more
Elizabeth Swados was a pioneering woman of the theatre. Liz was a writer, composer, director, choreographer, and so much more. When she passed away from esophageal cancer in January 2016, she left behind an impressive theatrical legacy not only in terms of her shows, but also in how profoundly she impacted young people, and notably, the young women with whom she had worked.
Read more
To help celebrate ASTEP’s tenth anniversary, we asked Mary-Mitchell Campbell to share some of her photos from the organization’s work around the globe.
Read more
Daniella Topol recently took over as artistic director of Rattlestick Playwrights Theater. We speak to Daniella about the life of an artistic director, her plans for the future of the company, developing new work, and more.
Read more
We visit lighting designer Natasha Katz in her midtown studio to discuss Long Day’s Journey into Night, storytelling through light, how the field has changed, and much more.
Read more
The day after opening night of The Ruins of Civilization, we talk to director Leah C. Gardiner and writer Penelope Skinner about the tone of the show, issues that inspired the play, cultural differences, and more.
Read more
We talk to Jessica Hecht and Alexandra Silber of the 2016 Tony-nominated revival of Fiddler on the Roof, about how they incorporated historical material into their roles, generational differences, doing a revival for a modern audience, and more.
Read more
Before her return engagement at the Cafe Carlyle, we have a quick chat with Broadway legend Chita Rivera about her career and how Broadway has changed.
Read more
We talk to Pulitzer Prize winning playwright Quiara Alegría Hudes, at her home in Washington Heights, about her new play Daphne’s Dive, her writing process, new play development, and more.
Read more
We talk to Diane Paulus about directing Waitress, the challenges of directing theatre in 2016, her work as artistic director of A.R.T., audience engagement, and much more.
Read more
We talk to Rebecca Luker about stepping into Fun Home, her process for creating a character, the trajectory of her career, what political causes are important to her, and much more.
Read more
We profile History Matters/Back to the Future, an organization that advocates for historic plays by women to be included in college curriculum. We also ask readers what plays by women influenced them.
Read more