Editor’s Letter: Goodbye and Thank You
On the end of The Interval.
Public Works might be theatre-making of the largest scale in Manhattan. This year, the production is “As You Like It,” and it has all women at the helm: director Laurie Woolery, composer Shaina Taub, choreographer Sonya Tayeh, and music director Andrea Grody. On a break from rehearsal, the women sat down to give a brief history of their process for the project.
Read moreKaren Ziemba is currently appearing in “Prince of Broadway,” a musical revue that celebrates the work of Hal Prince. Between preview performances, we sat down with Karen to discuss her career, her start as a dancer, her transition into theatre, and more.
Read moreWe go behind the scenes of “Primer for a Failed Superpower,” a concert/event that will feature protest songs performed by an ensemble made up of teenagers, baby boomers, members of The TEAM, other New York theatre artists, and directed by Rachel Chavkin.
Read moreWe talk to Karen Pittman, currently starring in “Pipeline,” about what drew her to the play, her acting process, her path to acting (it’s actually her third career), and more.
Read moreCelia Keenan-Bolger was one of the first women interviewed for The Interval. Three years later, she’s starring in the new play “A Parallelogram,” has a two-year-old son, and is still trying to fight for what’s right. We spoke to her about her acting process, typecasting, being socially engaged, and more.
Read moreWe talk to Dominique Morisseau about her inspiration and process for writing her new play “Pipeline” at Lincoln Center Theater, bringing new audiences to the theatre, themes in her work, and more.
Read moreWe talk to Jenn Colella about how she created her characters in “Come From Away,” how she cultivated her attitude about the theatre business, the Tony Awards, and more.
Read moreThroughout July and the beginning of August, we will once again feature women involved in this year’s New York Musical Festival. Featuring the women of “Painting Faye Salvez,” “The Fourth Messenger,” “Matthew McConaughey vs. The Devil: An American Myth,” “The Goree All-Girls String Band,” “Play Like a Winner,” “Camp Wanatachi: In Concert,” “Freedom Riders: The Civil Rights Musical,” “Motherfreakinghood,” and the women of the Student Leadership Program.
Read moreIn a few weeks, Kirsten Childs’ cult hit musical “The Bubbly Black Girl Sheds Her Chameleon Skin” will be revived as part of Encores! Off-Center, and earlier this summer her musical “Bella” had its NYC premiere. We recently sat down with Kirsten to discuss “Bella,” how her writing process has evolved, what it means for Bubbly Black Girl to be revived in 2017, and more.
Read moreLynn Ahrens is one of the few female lyricists/book writers currently making a living in the theatre. We sat down with her to discuss “Anastasia”, her process, how her thoughts on gender have changed, and more.
Read moreOn Sunday, June 11th, 2017, for the seventh time in the history of the Tony Awards, a woman’s name was announced as the winner of Best Director of a Play, and that woman was Rebecca Taichman. We talk to her about “Indecent” and winning the Tony.
Read moreLillian Hellman’s “The Little Foxes” is the only revival of a play by a woman on Broadway in 2016-17. But historically how did critics write about the play’s protagonist? Was she held to a different standard than protagonists written by men? We examine.
Read more“(Not) Water” is an immersive theatre piece that explores people’s relationships with water, climate change, and how to create a play about both of those things.During a day of tech, photographer Tess Mayer documented how the “(Not) Water” team were bringing the production to life.
Read moreThis week we’re highlighting some emerging artists in theatre and finding out how they view their careers and structure their lives. Colby Minifie is currently appearing on Broadway in “Six Degrees of Separation.” We talked to Colby about her life as an actress.
Read moreThis week, we’re highlighting some emerging artists in theatre and finding out how they view their careers and structure their lives. Morgan Green and Taibi Magar are two directors on the rise.
Read moreWe talk to playwright Chisa Hutchinson and director May Adrales about their process for writing and staging the new play “Somebody’s Daughter.”
Read moreRachel Bay Jones is currently giving a layered and surprising performance in “Dear Evan Hansen.” We talk to her about how she shaped her character, what she wishes people would talk about when they talk about the show, developing as an artist, and more.
Read moreA name that popped up a lot in “Who Should Have Been Nominated for a Tony” discussions was director Lila Neugebauer. We talk to Lila about her process, her career trajectory, her response to the Presidential election, and more.
Read moreWe talk to Sherie Rene Scott and Sheila Vand, who are appearing in Waterwell’s production of “Hamlet,” about reinterpreting classic female roles and how to take up space.
Read moreWe talk to actress Quincy Tyler Bernstine about her latest role in “Intimate Apparel” and her career.
Read moreWe talk to young women about their experiences, all college students or recent grads and all from different backgrounds, to try to get a feel of what it is like to be a young woman starting out on the path of pursuing theatre in New York City today.
Read moreWe talk to Tony nominee Michelle Wilson about her process for “Sweat,” audience conversations, development of new work, and more.
Read moreDirector Lear deBessonet has become known for her large-scale productions with Public Works. She’s currently directing a revival of “Venus.” We talk to Lear about her process for “Venus,” Public Works, her spiritual life, and more.
Read moreWho was Charlotte Zaltzberg? In 1974 Zaltzberg was nominated for a Tony Award for “Raisin”, a musical adaptation of Lorraine Hansberry’s play, but very little information exists about her. We find out who she was and how she wrote a Tony Award winning musical.
Read moreAnna Ziegler’s new play “Actually” tells two perspectives of a campus sexual assault hearing. We talked to Anna about her writing process, the challenges of perspective, and more.
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