On the end of The Interval.
Reprieve reimagines three iconic female characters from theatre in a contemporary setting, connected only by the liminal space of one mysterious hotel room. Featuring Ruthie Ann Miles as Laura Wingfield from The Glass Menagerie (written by Laura Eason), Carmen Zilles as Portia from Julius Caesar (written by Tanya Saracho), and Betsy Wolfe as Emily Webb from Our Town (written by Anna Ziegler), this short film from The Interval is directed by Tony nominee Leigh Silverman.
Inspired by What the Constitution Means to Me, we asked 15 photographers from around the country to photograph teenagers in their communities ranging in age from 13 to 20. Each photographer chose their own subject and submitted work reflective of their point of view. We then asked all the teens, “What do you imagine your life will be like in fifteen years?”
We talk to playwright Tanya Saracho about her writing process, working in theatre and TV, representation of women and minorities, and much more.
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We talk to Romola Garai about starring in Indian Ink, representation of women, her development as a woman in the entertainment industry, and much more.
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We talk to Sarah Ruhl about The Oldest Boy, her writing process, what the American theatre means to her, motherhood, being a woman in theatre, and much more.
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We talk with director Giovanna Sardelli about Little Children Dream of God, developing new work, growing up in Las Vegas, being a female director, and more.
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“I need stories by women on stage because…” contest for The Leah Ryan Fund.
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We talk to playwright Cori Thomas about When January Feels Like Summer, her process, her work in Liberia, and much more.
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We take Erin Davie to Coney Island to talk about Side Show, preparing to lead a show on Broadway, being weird, representation of women in theatre, and much more.
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We talk to Kate Baldwin about Can-Can, female characters, her acting process, supporting work by women, and more.
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We talk to playwright Christina Anderson about her writing process, developing new plays, diversity in theatre, and much more.
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We talk to director Adrienne Campbell-Holt about Dry Land, running Colt Coeur, improving gender parity in theatre, and much more.
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We talk to Heidi Schreck about her play Grand Concourse, being a writer and actress, her time in Russia, and much more.
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We talk to director Kimberly Senior about Disgraced on Broadway, developing new work, her process, and much more.
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We sat down with Susan Stroman and talked about her process, her relationship with music, being a groundbreaker, and much more.
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We talk to Lindsay Mendez about Winter’s Tale as part of Public Works, her relationship to music, her trajectory in the theatre, and more.
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We talk to Susan Bernfield about New Georges, playwriting, producing theatre in New York, and more.
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We talk to Georgia Stitt about her process, her relationship to music, her work with The Lilly Awards, and more.
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We talk to director Gaye Taylor Unchurch about her career, working on new plays, and more.
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We talk to Celia Keenan-Bolger about her evolution as an actress, collaboration, political activism, and much more.
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We talk to Mary-Mitchell Campbell about being one of the few female music directors on Broadway, founding ASTEP, her relationship to music, and much more.
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We talk to playwright Cusi Cram about writing, teaching, being on the Board of The Lilly Awards, and more.
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Are you wondering what you (yes, you!) can do to help improve gender parity in theatre? We’ve assembled this list of some simple things everyone can do to help improve equality for women in theatre.
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Welcome to The Interval.
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