Editor’s Letter: Goodbye and Thank You
On the end of The Interval.
Read moreOn the end of The Interval.
Read moreHave you ever wondered why The Interval, a theatre site, has political content? Editor Victoria Myers explains why The Interval considers spotlighting the politics of the community part of accurate journalism and reframing the narrative.
Read moreWe now have a monthly Letter from the Editor! This month’s is about the need to view women as individuals who do not need to justify their existence in creative fields.
Read moreAdam Guettel told the theatre community who he is. It is long past time for the theatre community to look at what type of community it truly is and for individuals with a platform to speak up and no longer tacitly condone behavior and views that create a workplace where women are not valued.
Read moreHilton Als’ review of “Sweet Charity” was remarkable not only for the depth and breadth of its sexism, but also for his disregard for actual criticism and facts in pursuit of his own misogynistic agenda. We address it.
Read moreSome thoughts on feminism and the Tony Awards and how 2015 was a big year for women in the the theatre.
Read moreOn June 7th, when girls across the country turn on the Tony Awards, what do you want them to see?
Read moreJoan Didion and Jennifer Aniston: Imagined Conversations. Or, the importance of female mentors.
Read moreAre you wondering what you (yes, you!) can do to help improve gender parity in theatre? We’ve assembled this list of some simple things everyone can do to help improve equality for women in theatre.
Read moreWelcome to The Interval.
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