An Interview with Lisa McNulty
We talk to Artistic Director of WP Theatre (Women’s Project) Lisa McNulty about the role of an artistic director, the perception of work by women, and how she sees WP continuing to evolve.
Read moreWe talk to Artistic Director of WP Theatre (Women’s Project) Lisa McNulty about the role of an artistic director, the perception of work by women, and how she sees WP continuing to evolve.
Read moreWe talk to playwright Tanya Sarcho about her new play “Fade.” She discusses what inspired her, using autobiography in work, writing for TV, and more.
Read moreWe talk to playwright Bekah Brunstetter about her process for writing “The Oregon Trail”, exploring depression, and new play development.
Read moreWe talk to playwright Madeleine George about her new play “Hurricane Diane”, her writing process, dramatic structure, community engagement, and much more.
Read morePhotos from the theatre community promoting democracy, freedom, and equality at the Women’s March in NYC.
Read moreProducer Stacey Mindich has shepherded “Dear Evan Hansen” from nascent idea to fully formed Broadway production. We talk to Stacey about her journey with “Dear Evan Hansen,” the role of a producer, new work development, and more.
Read moreIf you’ve ever looked at the production photos for a Broadway or Off-Broadway show, you may have noticed that the vast majority of the photos were taken by Joan Marcus. Joan shares some stories behind a few of her production photographs and a little about her process.
Read moreThe set of “The Great Comet of 1812” creates an immersive world not often seen on Broadway. We visited set designer Mimi Lien at her studio and asked her to walk us through her process for creating the set of “The Great Comet of 1812.”
Read moreWe gather the actresses of “The Babylon Line”– Maddie Corman, Randy Graff, Julie Halston, and Elizabeth Reaser– to discuss their rehearsal process, working together, roles for women, and more.
Read moreAt the beginning of 2016, Lileana Blain-Cruz was featured in not one, but two major publications for being a director taking the theatre world by storm. Her 2017 is looking just as exciting. We talk to Lileana about her directing process, cultural collaboration, how she balances so many projects, and much more.
Read moreWe talk to Kristen Anderson-Lopez and Sara Wordsworth about their writing process for “In Transit”, developing an out-of-the-box, contemporary show, and why so few musicals by women get to Broadway.
Read moreWe’re having a holiday party to benefit the ACLU and we want you to join us!
Read moreWe asked Lynn Nottage to share with us the playlist she made while writing the “Sweat” and the visual images she took on trips to Reading. We discuss how she used the music and images as part of her writing process, her opinions on the differences between journalism and playwriting, and how the creative process can get lost in the conversations surrounding political plays.
Read moreHilton Als’ review of “Sweet Charity” was remarkable not only for the depth and breadth of its sexism, but also for his disregard for actual criticism and facts in pursuit of his own misogynistic agenda. We address it.
Read moreOne of the under appreciated aspects of performing on Broadway is the challenge of taking over a lead role in a popular, long running Broadway show. Chilina Kennedy knows that challenge well. We sat down with her to discuss doing a long run of a show, what other areas of culture affect her work, and more.
Read moreMiriam Shor is currently starring in Lynn Nottage’s new play, “Sweat.” We talk to Miriam about how she prepared for the role, what “Sweat” has to say about our country, how audience reactions have changed post-election, and more.
Read moreWe talk to director Lee Sunday Evans about her process for putting together Don’t You F**king Say a Word, new play development, and the other areas of culture that affect her work.
Read moreOn November 14th, we got to help honor Leigh Silverman as The 24 Hour Plays presented her with their Inspiration Award. We created a video called “Silverman Forever” and are grateful to be able to share it and an except from her speech.
Read moreWe gather Page 73 playwrights Hansol Jung, Clare Barron, and Caroline V. McGraw to discuss Page 73, being a playwright in New York City, and how they’d like to see gender equality improve.
Read moreWe speak to director Josie Rourke about bringing Les Liaisons Dangereuses to Broadway at this particular moment in history, the sexual politics of the play, her work as Artistic Director of the Donmar Warehouse, and more.
Read moreWe talk to Pulitzer winning playwright Suzan-Lori Parks about the new production of “The Death of the Last Black Man in the Whole Entire World AKA The Negro Book of The Dead,” her writing process, influences on her work, expectations, and much more.
Read moreWe talk to director May Adrales about “Vietgone” at Manhattan Theatre Club. We sat down with her to discuss her process for creating the world of the play, figuring out the tone, new play development, and much more.
Read moreThe theatre industry has lagged behind in the dialogue around childcare and poses its own unique challenges. Over six months, photographer Sarah Hiatt met with working mothers of the theatre to document how their children were incorporated into their lives as artists.
Read moreJessie Mueller has become one of the most popular leading ladies on Broadway. We take her to a diner to discuss Waitress, her development as an artist, her relationship with ambition, and more.
Read moreWe visit Stephanie J. Block at the Walter Kerr Theatre to discuss how she prepared for her latest role in Falsettos, her development as an artist, roles for women in theatre, and much more.
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